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• NATIONALITY
  Canada, 캐나다
• CURRENT JOB/POSITION
  Professor / University of Waterloo
• EDUCATION
  1989 Rhode islandschool of Design, Ceramics, MFA
  1983 Alberta College of Art, Calgary Alberta, Canada, Ceramics
• EXHIBITION
  2016 Taiwan Ceramics Biennale, Yingge Ceramics Museum, New Taipei Cit, Taiwan
  2016 Matter of Clay, Jonathon Bancroft-Snell, London, Canada
  2016 DOMESTIC DESIGN, Architecture Gallery University of Florida, Gainesville, USA
  2016 COFFEE & CLAY, Pottery Northwest Gallery, Seattle, USA
  2015 SUMMER FUN AND GAMES, Jonathon Bancroft-Snell, London, USA
  2014 ACADEMIA, Earls Court Gallery, Hamilton, Canada
  2013 Something old Something New, 8th Cheongju International Craft Biennale, Cheongju, Korea
  2013 Mugs, Jonathon Bancroft-Snell Gallery, London, Canada
  2013 artcetera, Elora Centre for the Arts, Elora, Canada
  2012 Selected works from Ceramic Visions, Kaohsiung Museum of Fine Arts, Kaohsiung, Taiwan
• AWARD
  Taiwan Ceramics Biennale (Bronze Award) Yingge Ceramics Museum, New Taipei City
  Joseph S Stauffer Prize, The Canada Council 1991 Joseph S Stauffer Prize, for meritorious achievement in the arts
  Grand Prize, Mino, Japan, International Ceramics Exhibition 1989
  Commissioned sculpture for 2004 Summer Olympics Greec
• COLLECTION
  2014 The Gardiner Museum of Ceramic Art,, Toronto, Canada
  2012 Yingge Ceramics Museum,, New Taipei City, Taiwan
  2012 World Ceramic Centre, Ichon, Korea
  2009 University of Waterloo, Waterloo, Canada
  2009 Saint Mary’s University, Halifax, Canada
  2007 International Olympic Park, Athens Olympics, ,, Amaroussion, Greece
  2004 Canadian Clay and Glass Gallery, Waterloo, Canada
  2002 Burlington Arts Centre, Burlington, Canada
  2000 Museum of Modern Ceramic Art, Tajimi City, Mino District,, Japan
• RESIDENCY/WORKSHOP
  Residency, Banff Centre, Banff, Canada
  Artist in Residence, Watershed Centre for the Ceramic Arts, Newcastle, USA

나의 최근 작품은 나의 작업실에 스케치, 사진들, 오브제들을 무작위로 분류하는 작업에서부터 시작된다. 도자기의 형태는 미니멀리즘의 ‘프라이머리 스트럭처(Primary Structure): 기본구조)’를 차용한 반면 표면은 리듬, 반복, 즉흥곡 등 음악적 개념에서 영감을 얻어 디자인한 문양으로 장식하였다.

My current work began with a random assortment of drawings, images, and objects in my studio. The ceramic forms rely on Minimalism’s emphasis on primary structures whereas the mark making is crafted from musical concepts such as rhythm, repetition, and improvisation, which have guided the arrangement of elements on the form’s surfaces.