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• NATIONALITY
  Australia, 호주
• CURRENT JOB/POSITION
  Artist
• EDUCATION
  2013 National Art School, Ceramics, Honors
• EXHIBITION
  2019 North Sydney Art Prize, Coal Loader Centre, Sydney, Australia
  2019 FLORILEGIUM, MAY SPACE, Sydney, Australia
  2018 No One Is a Lone island, Taoxichuan Museum, Jingdezhen, China
  2018 IAC Ceramics Generations, National Taiwan University of Arts, Taipei, Taiwan
  2018 Hua Hin International Contemporary Art, River City, Bangkok, Thailand
  2017 The White Roon, Stanely Street Gallery, Sydney, Australia
  2017 Jing Piao, jingdezhen Ceramics Museum of China, Jingdezhen, China
  2016 MADE INCHINA, Gallery KLEI, Sydney, Australia
  2016 Intational Art Expo, Shenzhen Art Expo, Shenzhen, China
  2016 Ink Earth, Stairwell Gallery, Sydney, Australia
  2016 Grand Opening, Jingdezhen Taoxichuan Museum, Jingdezhen, China
  2015 Turn Turn Turn: the Studio Ceramics Tradition at the National Art School, National Art School Gallery, Sydney, Australia
  2015 HOMEGROWN, Art Space on the Concourse, Sydney, Australia
  2015 Hell-O Multi arts festival, Project 107, Sydney, Australia
  2014 Contemporary Porcelain, Kerrie Lowe Gallery, Sydney, Australia
  2013 Emporio Armani National Art School Postgraduate Exhibition, National Art School Gallery, Sydney, Australia
• AWARD
  2019 Emerging Artist Prize, North Sydney Art Prize
  2013 Ceramics, Australian Ceramics Association Award, Australian Ceramics Association, Sydney, Australia
• COLLECTION
  2019 public collection of the city of Nevsehir, Turkey
  2019 Gurey Muze, Avanos, Turkey
  2016 Taoxichuan Museum, Jingdezhen, China
• RESIDENCY/WORKSHOP
  2019 New Taipei City Yingge Ceramics Museum, Taiwan
  2019 11th International Avanos Ceramics Symposium, Cappadocia, Turkey
  2018 Hua Hin International Contemporary Art Residency, Thailand
  2016 Residency, Taoxichuan International Studio, Jingdezhen, China

리는 대만계 호주인으로 도예가로 활동하고 있다. 그의 창작 의도는 전통과 현대 추상 조형을 접목하여 하나의 글로벌 언어로서의 문화적 합류 지점을 찾기 위한 것이다.

Li is a Taiwanese-Australian artist whose ceramic works combine traditional, modern, and abstract forms in order to examine the cultural confluence of identity as a global language. A recurring motif is her meditation on the fragile nature of self in relation to the paradoxes of time, life, death, and spirituality.