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• NATIONALITY
  France, 프랑스
• CURRENT JOB/POSITION
  Artist
• EDUCATION
  2007 Paris City Craft Scholarship Program, Ceramics
  2005 Ecole Nationale Superieure des Arts Appliques Duperre, Ceramics, Post-DMA
  2003 Ecole Nationale Superieure des Arts Appliques Duperre, Ceramics, DMA
  2002 Paris VIII University, Anthropology, Master II
• EXHIBITION
  2018 Sculpture domestique, Espace des Arts Plastiques, Saint-Die-Des-Vosges, France
  2018 Art Paris Art Fair, Le Grand Palais, Eko Sato gallery, Paris, France
  2018 60th Biennial of International Ceramic Art, Museo Internazionale delle Ceramiche, Faenza, Italy
  2017 International Biennial of Ceramics, The Bruckner Foundation, Carouge, Switzerland
  2017 Construire le vide, Les Selenes gallery, Bordeaux, France
  2016 Keramik der Gegenwart, Ludwigsburg Museum, Ludwigsburg, Germany
  2015 もの III, Teishoji gallery, Kumamoto, Japan
  2013 Axiomatique, AccroTerre gallery, Paris, France
  2013 58th Biennial of International Ceramic Art, Museo Internazionale delle Ceramiche, Faenza, Italy
  2012 France, Korean Craft and Design Foundation, Seoul, Korea
• AWARD
  2012 Maison&Objet Young Craft Artist award, AAF, Paris, France
  2011 Young European Ceramic Award, Terrahla, St Quentin la Poterie, France
  2007 The Paris City Craft Council grant for young artists, Les Ateliers de Paris, Paris, France
• COLLECTION
  2017 Henry Moisand Public Collection, Longchamp, France
  2015 Les Traces Habiles, Paris, France
• RESIDENCY/WORKSHOP
  2018 Ceramique-Espace-Architecture, Le Printemps des Potiers, Bandol, France
  2017 Anagama firing, Terre-Plein Ceramique, Taintrux, France
  2014 Japanese ceramics exchange, AAF, Fukuoka, Japan
  2013 Italian ceramics exchange, Scuola di Ceramica di Montelupo Fiorentino, Montelupo, Italy
  2012 Concours de la Jeune Ceramique Europeenne, Terrahla, Saint-Quentin-la-Poterie, France

클레망틴 두프레의 작업에서 근본적인 원칙은 유형 또는 무형의 공간을 해석하고, 건축과 인간의 상호작용을 경험함으로써 원형을 전면에 내세우는 것이다. 그는 건축화된 공간을 만들어내기 위하여 도자기를 빚고, 조립하고, 다시 생각한다. 그의 건축화된 공간의 핵심 개념은 비움과 움직임이다.

Providing an Interpretation of tangible or intangible space, experiencing our interaction with architecture and, hence, the bringing of archetypes to the fore are equally fundamental principles guiding the work of Clementine Dupre. She shapes, assembles, and rethinks ceramics in order to create architecturalized spaces, where void and movement are central notions.