
- NATIONALITY
Rep. of Korea, 대한민국
- CURRENT JOB/POSITION
Visiting Artist at the University of the Arts
Resident Artist at the Clay studio
- EDUCATION
2018 Korea National University of Cultural Heritage, Ceramics, BFA
2018 Alfred University, ceramics, MFA
- EXHIBITION
2018 Trestle Draw: An Alfred Ceramics Graduate Survey, NCEACA, Pittsburgh, USA
2018 overexposure, glass Gallery, athens, USA
2018 INTERRUPTED: MINT’s 5th National Juried Exhibition, MINT Gallery, Atlanta, USA
2018 Here, There, and the Inbetween, the McGlothlin Center for the Arts, Emory, USA
2017 The 3rd international Zanesville Prize for Contemporary Ceramics Competition & Exhibit, Seilers’ Studio and Gallery, Ohio, USA
2017 Cubed, The Pensacola Museum of Art, Pensacola, USA
2017 Cross-Continental Flux: (Con)Fusing the Space Between:, Fosdick-Nelson Gallery, Alfred, USA
2017 Context Art Miami, Context Art Miami, Miami, USA
2017 Art+Science: Glaze Focus, The Clay Studio, Philadelphia, USA
2017 21st Annual NO DEAD ARTISTS International Juried Exhibition of Contemporary Art, Jonathan Ferrara Gallery, New Orleans, USA
- AWARD
2018 Emerging Aritsit, Emerging Artist, Ceramics monthly, ohio, USA
2012 prize winner, Seoul Contemporary Ceramic Art Contest, Seoul, KOREA
2012 Prize winner, Kang Jin Celadon Contest, Kang jin, KOREA
- COLLECTION
2017 Alfred Ceramic Art Museum at Alfred University, ALFRED, USA
- RESIDENCY/WORKSHOP
2018 Resident Artist, the University of the arts, philadelphia, USA
2018 Resident Artist, The Clay studio, philadelphia, USA
2018 Mentoring Camp, Gyeonggi International Ceramic Biennale 2013, Icheon, Korea
2018 International Summer workshop, Montana University, Bozeman, USA
2017 Resident Artist, University of Georgia, Athens, USA
2015 Post-Baccalaureate studies, California State University Long Beach, Long Beach, USA
나는 일종의 ‘다리’를 만든다는 개념으로 나의 작업을 이어나가고 있다. 남성성과 여성성, 동양과 서양, 장식적인 것과 실용적인 것 그리고 영원함과 덧없는 것들 사이를 잇는 다리 말이다. 생동감 있게 표현된 작품은 복잡한 현대사회 속에서 분열된 개개인의 아이덴티티를 반영하고, 다른 문화 간의 접촉으로 인한 문화적 변용을 이야기하고자 한다.
The concept behind my work is ‘building a bridge,’ a bridge that connects masculinity and femininity, the East and the West, things decorative and things functional, and timelessness and transience. Through my work filled with vitality, I want to reflect the identities of individuals divided in this complex modern society, and communicate acculturation.