- NATIONALITY
USA, 미국
- CURRENT JOB/POSITION
Assistant Professor of Ceramics at Alfred University
- EDUCATION
1999 University of Nebraska-Lincoln, Ceramics, MFA
1997 University of Northern Iowa, Printmaking, MA
1995 Kansas City Art Institute, Ceramics, BFA
- EXHIBITION
2018 Matt Kelleher:Recent Works (solo), Coe College Sinclair Gallery, Cedar Rapids, IA, USA
2017 Threshold (solo), AKAR Gallery, Iowa City, IA, USA
2017 New Work (two person), Signature, Atlanta, GA, USA
2017 A Culture of Pots (group), Weisman Art Museum, Minneapolis, MN, USA
2016 Matt Kelleher:Recent Work (solo), Lillstreet Art Center, Chicago, IL, USA
2016 Duality (small group), Delaware Art Museum, Wilmington, DE, USA
2015 Matt Kelleher:New Work (small group), Blue Spiral I, Asheville, NC, USA
2012 Veiled (solo), Crimson Laurel Gallery, Bakersville, NC, USA
2012 Layered (two person), Genesse Center for the Arts, Rochester, NY, USA
- AWARD
2010 Regional Artist Project Grant, North Carolina Arts Council, Raliegh, NC, USA
2008 Emerging Talent, National Council for the Education of Ceramic Art, Pittsburgh, PA, USA
- COLLECTION
2016 Assemblage-Duncan/LaBaron Collection, Lincoln, NE, USA
2016 Alfred Ceramic Art Museum, Alfred, NY, USA
2014 Mint Museum of Art, Charlotte, NC, USA
2011 Plains Art Museum, Fargo, ND, USA
2011 Fidelity Investments Corporation Art Collection, Raleigh, NC, USA
2005 Yixing Ceramics Museum, Yixing, China
2005 Newman University, Wichita, KS, USA
2004 Emprise Bank, Wichita, KS, USA
- RESIDENCY/WORKSHOP
2019 Artist in Residence, Jingdezhen Ceramic Institute, Jingdezhen, China
2013 Visiting Artist Residency, Archie Bray Foundation, Helena, MT, USA
2005-2008 Artist in Residence, Penland School of Crafts, Penland, NC, USA
2003 Artist in Residence, Shigaraki Ceramic Cultural Park, Shigaraki, Japan
도자기는 끊임없는 호기심의 대상이다. 도자기의 제작과정, 느낌, 형태, 표면을 비롯하여 집안에서 어떤 존재로 대접받는가, 예술 작품인가, 생활 도구인가, 아니면 그림인가 등 이 모두가 호기심을 유발한다. 나는 조각을 연상시키면서도 기능을 존중하는, 조형성을 갖추면서도 기능성이 뛰어난 형태를 추구한다. 이런 형태의 실용 도자기는 대담하면서도 멋있다.
Pottery is a continuous curiosity; how it’s made, how it feels, its shape, its surface, how it exists in a home as an object, or a tool, or maybe an image. When making pottery, I search for poised forms that suggest sculpture, respect utility, and perform well; they should be confident and handsome.